La Musica Dj

La Musica Dj

sabato 5 marzo 2016

王菲 Faye Wong - 敷衍 Be Perfunctory (2015)


王菲 Faye Wong - 敷衍 Be Perfunctory (2015)

王菲/錄音室專輯
發行日期: October 10, 2015
錄製: 1996年秋
類別: 粵語流行音樂(英語譯名:Cantopop)
唱片公司: 新藝寶/環球唱片/浮躁音樂 (Cinepoly Records Co., Ltd.), (Universal Music Group,簡稱UMG)
製作人: 梁榮駿
© Cinepoly Records Co., Ltd., 2015 Universal Music Group,(簡稱UMG)


This is the tracklisting as it was originally intended to be released back in 1997. It is said that the concept is that the album starts dark and fluently becomes light. (by Faye Wong)

王菲 第十张粤语大碟「敷衍」其中擅于英伦迷幻美学的Adrian Chan负责了五首歌的编曲,超越了《Di-Dar》时期的数量;同样箇中高手的C.Y. KONG则操刀两曲,难得向梦幻流行乐暂别,造起清爽小品。原本被打散的〈不得了〉〈玩具〉,连著听,竟发现用了同一旋律;而在爱情中〈敷衍〉的命题,驰骋全辑,悲观与随便的信念,彷佛注定了结局。暗涌的池水18年后依旧。

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[簡介]:
王菲 第十張粵語大碟「敷衍」
我幾度夢過荒城裡那日落秋山 夢醒叫了外賣番茄炒飯 
我走在每天必經的路 卻發覺這只不過是條走慣了的迷途 
我沒能開心歡暢 也無法痛快感傷 於是生活變成 敷衍 敷衍 
1997遺憾缺席 新藝寶最後一輯 
亞洲樂壇唯一跨世紀天后 
王菲 第十張粵語大碟「敷衍」


[曲目]:

01.敷衍 Be Perfunctory  |4:19
作词: 林夕, 作曲: 黄家强, 編曲: Adrian Chan

02.暗湧 Undercurrents |4:21
作词: 林夕, 作曲: 陈辉阳, 編曲: 陳輝陽

03.心驚膽戰 Scary |4:17
作词: 林夕, 作曲: 张亚东, 編曲: 張亞東

04.守護天使 Guardian Angel |3:38
作词: 林夕, 作曲: 黄家强, 編曲: Adrian Chan

05.守時 On Time |4:12
作词: 林夕, 作曲: 陈晓霞, 編曲: Alex San

06.不得了 Unbelievable |3:48
作词: 林夕, 作曲: C.Y. Kong, 編曲: C.Y. Kong

07.玩具 Toy |2:59
作词: 林夕, 作曲: C.Y. Kong, 編曲: C.Y. Kong

08.我信 I Believe |4:45
作词: 林夕, 作曲: Adrian Chan, 編曲: Adrian Chan

09.自便 Help Yourself |4:56
作词: 林夕, 作曲: Adrian Chan, 編曲: Adrian Chan

10.約定 Promise |4:27
作词: 林夕, 作曲: 陈晓霞, 編曲: Adrian Chan

總時間:41:47

| DDD | Audio CD | CBR 320 Kbps/48.1 kHz/Stereo |
| File Size: 106 mb. | Password: angel69s|

我几度夢過荒城里那日落秋山 夢醒叫了外賣西紅柿炒飯 
我走在每天必經的路 卻發覺這只不過是條走慣了的迷途 
我沒能開心歡暢 也無法痛快感傷 于是生活變成 敷衍 敷衍 
1997遺憾缺席 新藝寶最后一輯 
亞洲樂壇唯一跨世紀天后 
王菲 第十張粵語大碟「敷衍」 



守護天使  -Guardian Angel-

天使 在你 背後那樣模糊
天使 是我 你或會未在乎
能夠為你守護 置自己於不顧
全意為你守護 那是我天賦
天使 為你 你沒責任動情
天使 是我 背負昨日罪名
誰叫上帝公平 要做偉大事情
才會讓我光明 處罰我曾經 一點都不神聖
(也許這天使不夠好)時刻靠在你路途
(老死了跟你都美好)耗損我亦但求
(但你永未發現我的記號) 祝你好
差的給我好的給你收起 當天要塌下給你戒備
光的給你灰的給我擔起 即使你拒絕因你我墮地
戀戀地  天使般守護你

心驚膽戰  -Scary-

絕對知道你是壞得起抱不起 
沒法相信這樣在一起 
憑自己想要走沒理由 
只因你極罕有等太久 
越強求擔心有甚麼看漏看漏 

讓我心驚膽戰等不及你表演 
為你心驚膽戰抽不覑你的煙* 

沒法相信這樣用心機會歡喜 
愉快需要力氣在撐起?自欺 
等太久讓雙手擔心會目睹錯漏錯漏 

待到心驚膽戰聲嘶力竭表演 
恨到心驚膽戰這齣完美表演 
在這天差點差點沒有這天 

曲/編曲:張亞東 詞:林夕


日本攝影大師 藤代冥砂 首度跨國掌鏡 據說最暗處也有光明 照不穿我也映得出你 

1996年,王菲正愛得天翻地覆,與心愛的人譜出生涯中實驗與概念性最强的專輯《浮躁》;同時有孕在身的她,仍往新藝寶唱錄了10粵語歌曲,作為合約的結束。與破格的《浮躁》不同,這10首歌是《Di-Dar》的延續:如夢似幻的Dream Pop、黯色幽微的Trip Hop,在甜美的歌聲里,貫穿著濃厚的悲劇性。沒想到,這張粵語專輯《敷衍》遲到了18年。1997年,為了對敵王菲新東家百代的《王菲》國語同名專輯,新藝寶將她最后這張碟一拆為四,分別發了兩張EP《玩具》與《自便》,各收錄五/三首新歌,並將另外兩打散進精選輯。由于倉促拆成EP,曲序上以單曲作為思考,多年來樂迷們不斷拼湊這張粵語專輯的原貌,如今謎團終于揭曉。重新出土的粵語經典《敷衍》,由浮躁音樂與香港環球唱片合作,封面及內頁為日本攝影大師藤代冥砂提供當年拍攝的珍貴未曝光照片,曲序經過巧妙編排,加上林包辦全數詞作,頭尾呼應。

十首曲序安排從黑暗到光明,前三曲〈敷衍〉〈暗涌〉〈心驚膽戰〉綿密的濕黏感,再到〈守護天使〉〈守時〉甜蜜的漂浮味,援引出〈不得了〉〈玩具〉叫囂的游戲,最終以〈我信〉〈自便〉散漫的頹廢,挾帶完美的收尾〈約定〉。


同時,唱片公司亦遵照九零年代「卡帶」的設定,A面前五首與B面后五首,播放時間相近,皆約為21 分鐘,總計近42分鐘。

其中擅于英倫迷幻美學的Adrian Chan負責了五首歌的編曲,超越了《Di-Dar》時期的數量;同樣箇中高手的C.Y. KONG則操刀兩曲,難得向夢幻流行樂暫別,造起清爽小品。
原本被打散的〈不得了〉〈玩具〉,連著聽,竟發現用了同一旋律;而在愛情中〈敷衍〉的命題,馳騁全輯,悲觀與隨便的信念,彷佛注定了結局。
暗涌的池水18年後依舊。


王菲最後一張粵語專輯《敷衍》 18年後總算完整問世

就算已經12年沒有推出完整專輯的王菲,三不五時還是會演唱電影主題曲讓歌迷過過乾癮,但不少鐵粉仍望穿秋水希望能聽到王菲全新完整專輯,雖然現階段機會渺茫,不過近期卻有機會能將1997年王菲最終粵語大碟完整收藏!來自中國的「浮躁音樂」特別把王菲過去散落在其他EP、精選輯的粵語歌曲合而唯一,成為王菲粵語專輯最終回《敷衍》。

事實上《敷衍》並非王菲全新專輯,而是將她1997年在新藝寶唱片裡所錄製的粵語歌曲收錄在一起,當時由於王菲加盟新東家,新藝寶便把她粵語專輯歌曲拆成兩張EP《玩具》、《自便》,另外兩首歌收錄在精選輯裡,讓這些歌曲散落他處,終於在18年後,有鐵粉歌迷把歌曲版權一次收齊,並成立浮躁音樂唱片公司,讓這張分裂四半的專輯有重新出土機會。


敷衍 (王菲2015年粤语专辑)

王菲2015年发行的第十张粤语大碟。1997年,为了对敌王菲新东家百代的《王菲  》国语同名专辑,新艺宝将她最后这张碟一拆为四,分别发了两张EP《玩具  》与《自便  》,各收录五/三首新歌,并将另外两打散进精选辑。由于仓促拆成EP,曲序上以单曲作为思考,多年来乐迷们不断拼凑这张粤语专辑的原貌,如今谜团终于揭晓。

专辑赏析编辑
十首曲序安排从黑暗到光明,前三曲〈敷衍〉〈暗涌〉〈心惊胆战〉绵密的湿黏感,再到〈守护天使〉〈守时〉甜蜜的漂浮味,援引出〈不得了〉〈玩具〉叫嚣的游戏,最终以〈我信〉〈自便〉散漫的颓废,挟带完美的收尾〈约定〉。
同时,唱片公司亦遵照九零年代「卡带」的设定,A面前五首与B面后五首,播放时间相近,皆约为21 分钟,总计近42分钟。
其中擅于英伦迷幻美学的Adrian Chan负责了五首歌的编曲,超越了《Di-Dar》时期的数量;同样箇中高手的C.Y. KONG则操刀两曲,难得向梦幻流行乐暂别,造起清爽小品。
原本被打散的〈不得了〉〈玩具〉,连著听,竟发现用了同一旋律;而在爱情中〈敷衍〉的命题,驰骋全辑,悲观与随便的信念,彷佛注定了结局。
暗涌的池水18年后依旧。


1. 敷衍
房子忽地歪斜了,嗡鸣声震。不祥的音效敲打,像坏掉的钟;Trip Hop趴在楼梯扶手,诡异爬行;不 带感情的王菲带了柄拖把,拖著咬字:「本想好好的伤感/想放任/但是没泪痕」。延续了《Di- Dar》时期的迷离,Adrian Chan的编曲已走出模仿的路,称职平贴林夕百无聊赖的世界,以及Beyond贝斯手黄家强的曲色。那般黏黏湿湿的不快,为整张专辑定了调:「我世界纵没理想/对你却有著妄 想」。为情人敷衍,也好过再次落空。

2. 暗涌
这儿是黑夜,悲剧里的道别,眉头是绵密的钢琴,睫毛是落雨的乌云。「我的命中命中/越美丽的东 西我越不可碰」。才第一段,林夕便交出了词涯代表作,与作曲陈辉阳的组合,三年后再谱陈奕迅 〈K歌之王〉,藏进王菲的〈我愿意〉与〈约定〉字眼。从小古典音乐背景的陈辉阳,以流动的钢琴 为意象,飞湍瀑流的速度,不时伴有浩荡弦乐与典雅吉他;副歌间如珠玉落盘的琴音,与结尾的狂澜一收,最是精彩。

3. 心惊胆战
你的表演是烟,等戏的人是雾。幽冥的空声铺底,铜钹轻响,小鼓连击,张亚东招待,一场冷汗湿透 的秀。过去在《Di-Dar》与《浮躁》里,他多以Dream Pop造梦,眼观同伙C.Y. Kong迷路於Trip Hop灯 区;这回张忍不住小露一手,迷魅的Trip Hop造戏,与辑中的〈敷衍〉前后呼应。王菲延续其漫不在 乎的唱法:「让我心、惊、胆、战/等不及你表演」。冷眼旁观,暗⾃自抽搐,尾声刻意掉拍,打了哆嗦,止於寒栗。

4. 守护天使
云端储存你的一切,永未被发现。习於Cocteau Twins的仙乐飘飘,袭於黄舒骏〈天使〉的欲动蠢蠢, 黄家强写的〈守护天使〉仍似在云间,恋爱的Dream Pop,模糊的景深。仿同〈冷战〉的两轨声部,真 假⾳音交会,只是林夕玩了前后叠音,比如行至「时刻靠在你路途」的「路」时,不候唱毕,便衔嵌 「路过了但你未必知道」;抑或「美好」与「耗损」(好与耗)的同⾳音相叠,宛如穿越多层云雾,甚 为巧妙。从〈心惊胆战〉等到〈守护天使〉,命题连贯,苦等兴叹。

5. 守时
我们约一点钟,边缘咖啡见。按曲序,〈守时〉以及〈守护天使〉前后链结,等著守著;而在林夕的巧笔下,〈守时〉又与〈约定〉成了双胞胎,不仅皆为陈小霞作品,还各职A/B面末曲:「情缘总不 会准时/若真的可以/能和你未一起便白头/未算迟」遥相对照「两鬓斑白/都可认得你」。我们邂 逅得太晚,何以弥补往年?翻唱自李明依〈爱的决定〉,陈小霞缱绻凄美的情歌,永远浪漫;王菲蜜 甜不腻的嗓⾳音,从未来迟。

6. 不得了
放大镜是订制的,见你哇哇的叫,我开怀大笑。C.Y. Kong揉合了羊毛衫轻爽的编曲,恬淡中带点俏皮,与其一块打造的〈玩具〉这回放进专辑连著听,可发现前者01:16秒时的慢奏吉他,像极了后者 2:09秒时的轻快吉他。林夕捕捉爱情中常被放大的小问题,其实庸人自扰;同年,他又写了《王菲》 国语专辑的〈小题大做〉,词意几近契合,曲末更提到了「一起来吃喝玩乐/不得了」,可视为延伸 聆听。(附注:〈玩具〉则唱道「一起渴睡一起醉」,颇有雷同)

7. 玩具
一起去买空虚寂寞,反斗城里供需急迫。同属羊毛衫风格,同为C.Y. Kong出手,一派写意轻巧,后段 还有〈梦游〉般飘飘然的合成器声响。「除了你那须根太嫩/那副漂亮容貌没破损/除了那套新衣未 会穿/你也算是完全/占据你是满⾜足不过的志愿」。林夕这番「物化」的比拟堪称一绝,「彼此也有 玩具」的说法隐喻性伴侣,同时也与〈敷衍〉成为前后文。一起渴睡一起醉,一起去空虚?这是问句,而肯定句写得更精辟:没法一起失去。

8. 我信
疯子从没觉得自己是疯子,反覆诘问,翻覆结巴。沿著〈敷衍〉的编曲,Adrian Chan踩著小碎拍,前奏仍诡谲,可却慢慢开展,玩兴好比降速后的〈玩具〉。王菲唱:「据说有信仰会上天堂」,也曾在旧作〈出路〉中无比困惑:「我信佛/这有没有帮助」。林夕运用歌词的重复性:「我信我信我信/ 请信任我的愚蠢」对比「我不信我不信我不信/找谁渡我的迷津」,加重听者的错乱,加深整体的迷 幻。

9. 自便
你是7-ELEVEN的白灯,而我是飞蚊。Adrian Chan依循著〈我信〉的小碎拍,淡而化之的吉他,呜咽 发懒的合成器,佐以王菲走在钢索上的高音,描出迷幻味。「这生命我只需要⼀一半/让你双手来吧」。林夕笔中敷衍人生的态度,连自己的未来、自由、运程与价值都抛弃了,叫人自便到取,切中专辑命题:我到底相信什麼?我有理想吗?我是玩具吗?我是感情货吗?

10. 约定
旅馆前道别,凄绝的戏;假如没有死,和你约定。雨声是凝住的眼泪,钟声是肃穆的誓言,Adrian
Chan先透过如此的场景设定,雨声与钟声,还有歌词里「结他的和弦」谱曲,伴著弦乐勾勒出轮廓。 林夕写回忆是多麼细腻,旅馆的门牌、笑著的神态、走半哩长街、灯照一脸黄、微温的便当、还有街 角流过的声线。「就算你壮阔胸膛/不敌天气/两鬓斑白/都可认得你」。陈小霞的凄美隽永,就算 忘掉天地,也不会忘记。
(文字-林猫王)



王菲  - 敷衍

(歌词!Lyrics!)


王菲 01.敷衍

本想好好的傷感 想放任 但是沒淚痕
想發問 卻沒有下文 真想好好的相愛
想以後 但是沒現在 想昨日 卻面對未來

我沒有甚麼 甚麼也無常 我沒有問你
怎麼你問我 我想怎樣

我世界縱沒理想 對你卻有著妄想
你要勉強 敷衍著 敷衍著

我對你縱沒妄想 卻要替快樂設想
我會勉強 敷衍著 敷衍著

真想好好的相擁 想發夢 但是沒內容
想叫嚷 卻沒有立場 好想好好的 好好的
想放浪 但是沒事忙 想快樂
卻沒有蜜糖

王菲 02.暗湧

就算天空再深 看不出裂痕 
眉頭 仍聚滿密雲 
就算一屋暗燈 照不穿我身 
仍可反映你心 

讓這口煙跳升 我身軀下沉 
曾多麼想多麼想貼近 
你的心和眼 口和耳亦沒緣份 
我都捉不緊 

害怕悲劇重演 我的命中命中 
越美麗的東西我越不可碰 
歷史在重演 這麼煩燒城中 
沒理由 相戀可以沒有暗涌 
其實我再去愛惜你又有何用 

難道這次我抱緊你未必落空 
仍靜候著你說 我別錯用神 
什麼我 都有預感 
然后睜不開兩眼 看命運光臨 
然后天空又再涌起密雲

王菲 03.心驚膽戰

絕對知道你是壞得起抱不起 
沒法相信這樣在一起 
憑自己想要走沒理由 
只因你極罕有等太久 
越強求擔心有甚麼看漏看漏 

讓我心驚膽戰等不及你表演 
為你心驚膽戰抽不覑你的煙* 

沒法相信這樣用心機會歡喜 
愉快需要力氣在撐起?自欺 
等太久讓雙手擔心會目睹錯漏錯漏 

待到心驚膽戰聲嘶力竭表演 
恨到心驚膽戰這齣完美表演 
在這天差點差點沒有這天 

曲/編曲:張亞東 詞:林夕

王菲 04.守護天使

天使 在你 背後那樣模糊
天使 是我 你或會未在乎
能夠為你守護 置自己於不顧
全意為你守護 那是我天賦
天使 為你 你沒責任動情
天使 是我 背負昨日罪名
誰叫上帝公平 要做偉大事情
才會讓我光明 處罰我曾經 一點都不神聖
(也許這天使不夠好)時刻靠在你路途
(老死了跟你都美好)耗損我亦但求
(但你永未發現我的記號) 祝你好
差的給我好的給你收起 當天要塌下給你戒備
光的給你灰的給我擔起 即使你拒絕因你我墮地
戀戀地  天使般守護你

王菲 05.守時

可以 如果你願意 就算這種感覺 來得太遲
從來未說的片言隻字 寫在我手 隨我血脈飛馳
一次 無須有下次 讓我安心聽你 重溫往時
尤其是你的動人故事 請讓我知 何事美麗至此

情緣總不會準時 若真的可以 能和你未一起便白頭
未算遲 情人都不愛守時 或者總可以
能容我盡情地(的)開心一次 請你 如果你願意
舊相片都給我 彌補往年 還未遇上的可愛畫面
空白那篇 陪我笑著失眠 可以 如果你願意
讓我欣賞一遍 純真少年 成熟後那張動人笑臉
怎樣發展 眉目有何變遷

王菲 06.不得了

別人沒有的快樂 痛苦
我卻放大來看 彷彿切膚
別人沒有的愛惡 好與差
我卻偏偏可以棄之不顧

我沒有的誰亦有 
我也懶去接收 
為何纏著我手
無論你多我少 
所愛沒有跑掉

誰明白我滿足得不得了
全人類也明瞭 不見得需要
別人若有天有地 滿分
我有眼淚和吻 好的要緊

別人在笑聲之中找快感
我卻偏偏苦澀裡找開心
無論你多我少 所愛沒有跑掉 沒缺少
隨便我把紛紛擾擾縮細縮小別叫囂

不得了 不需發燒
都不要緊 不需要叫囂
不得了 但我轉眼便決定忘掉
不得了 不得了 都不必叫囂

王菲 07.玩具

除了你那鬚根太嫩 
那副漂亮容貌沒破損 
除了那套新衣未楓 
你也算是完全 
佔據你是滿足不過的志願 
一起渴睡一起醉 
不高興一起去空虛 
一起錯亦一起對 
彼此有誰 
彼此也有玩具 
一起進或一起退 
沒法一起失去 
頭髮那染色可以換 
眼角那道眉亦溘鉥 
嫌這裡太擠迫便去搬 
轉轉這道大門 
世界太悶也只得你跟我玩

王菲 08.我信

據說有信仰會上天堂 我知 據說勝過暖暖的雙人床
何必懷疑 你我說法永遠一致 或者可以 無須遲疑
未來事情聽講有天知

而 我信我信我信 請信任我的愚蠢
來 我信我信我肯信 好說話我聽盡
我不信我不信我不信 找誰渡我的迷津
假如作得準 為何不肯依循

據說最暗處也有光明 我知 據說世界有美好將來
何必懷疑 據說愛過再愛一次 亦會及時 毫不猶疑
未來事情不必太早知

甚麼 也好 能相信 多自在

王菲 09.自便

若你不惯 别怕烦 别怕烦
是我颇懒 没太多时间
是我躯壳 其实应掉进荒野间
这感情货不很对版 你不必归还

像废置空罐 让我们
废物里游玩 让你有不满
又那敢自满 让这世界审判
无论怎改进也都这般

这生命我只需要一半
让你双手来吧来管

未来是我不太需要的
请你自便取去 否则交给谁

自由是我不爱拥有的
你请来 拿去拿去

运程是我不太关注的
自然共你相随 不必交给谁

价值是我不会保障的
你不来 还不懂得要追

自便
到取
请到取

王菲 10.約定

還記得當天旅館的門牌
還留住笑著離開的神態
當天整個城市 那樣輕快
沿路一起走半哩長街

還記得街燈照出一臉黃
還燃亮那份微溫的便當
剪影的你輪廓 太好看
凝住眼淚才敢細看

忘掉天地 彷彿也想不起自己
仍未忘相約看漫天黃葉遠飛
就算會與你分離 淒絕的戲
要決心忘記 我便記不起

明日天地 只恐怕認不出自己
仍未忘跟你約定假如沒有死
就算你壯闊胸膛 不敵天氣
兩鬢斑白 都可認得你 *

還記得當天結他的和弦
還明白每段旋律的伏線
當天街角流過你聲線
沿路旅程如歌褪變

Repeat:

就算你壯闊胸膛 不敵天氣
兩鬢斑白 都可認得你


發行背景:

此專輯為王菲在懷孕期間錄製,錄製完成時,王菲至少已有5個月身孕,並不適合參與專輯發行后的宣傳活動,加上王菲已決定不再與新藝寶公司續約,在多次討論後,新藝寶決議取消此專輯的發行,並將發行計畫改為玩具EP、自便EP、菲賣品、Faye Best精選輯新歌的方式,拆分為四次進行發表。 2015年,王菲的歌迷謝琦向歌曲的版權方環球唱片購得版權,并通過其成立的公司浮躁音樂,將這10首歌曲首次以完整專輯的形式出版發行。




王菲 Faye Wong

Faye Wong was born on 8 August 1969 in Beijing. She's a Chinese singer-songwriter and actress, often referred to as a "diva" in Chinese-language media. Early in her career she briefly used the stage name Shirley Wong. Born in Beijing, she moved to British Hong Kong in 1987 and came to public attention in the early 1990s by singing ballads in Cantonese. Since 1994 she has recorded mostly in her native Mandarin, often combining alternative music with mainstream Chinese pop. In 2000 she was recognised by Guinness World Records as the Best Selling Canto-Pop Female. Following her second marriage in 2005 she withdrew from the limelight, but returned to the stage in 2010 amidst immense interest in the Sinophone world.


Hugely popular in Mainland China, Taiwan, Hong Kong and Singapore, she has also gained a large following in Japan. In the West she is perhaps best known for starring in Wong Kar-wai's films Chungking Express and 2046. While she has collaborated with international artists such as Cocteau Twins, Wong recorded only a few songs in English, including "Eyes on Me" – the theme song of the video game Final Fantasy VIII. Wong is known to be reserved in public, and has gained a reputation for her "coolness". In Encyclopedia of Contemporary Chinese Culture, Jeroen de Kloet characterised her as "singer, actress, mother, celebrity, royalty, sex symbol and diva all at the same time".



盡情享受吧!Enjoy!



© 2015 Cinepoly Records Co., Ltd., © 2015 Universal Music Group,(簡稱UMG)
Copyright © 2016 Universal Music Limited. All rights reserved. 


sabato 18 aprile 2015

Depeche Mode ~ Greatest Hits (2015)


Depeche Mode ~ Greatest Hits (2015)

Unofficial, of course!


Origin: Basildon, Essex, England


Years active: 1980–present

Band members:
Andy Fletcher – keyboards, backing vocals, bass guitar (1980–present)
Dave Gahan – lead vocals (1980–present)
Martin Gore – keyboards, backing and lead vocals, guitars (1980–present)

Touring members:
Christian Eigner – drums, keyboards (1997–present)
Peter Gordeno – keyboards, piano, bass guitar, backing vocals (1998–present)

Former members:
Vince Clarke – keyboards, lead and backing vocals, guitars (1980–1981)
Alan Wilder – keyboards, piano, backing vocals, drums (1982–1995, one-off show in 2010)


Depeche Mode are a British group formed in 1980 in Basildon, Essex. Initially a bouncy Synth Pop group, their songs later took on a darker, more sexual tone as they developed. Their Gothic aesthetic and innovative synth work brought them to worldwide fame in 1990 with the release of Violator, which has made it onto Rolling Stone's "500 Greatest Albums Of All Time" list. They've also been frequently cited as a key influence by Industrial Metal bands, especially Nine Inch Nails.

The band's lineup includes vocalist Dave Gahan (1980-present), vocalist/guitarist/keyboardist Martin Gore (1980-present), who serves as the band's main songwriter, and keyboardist Andy Fletcher (1980-present). Past members include keyboardist/songwriter Vince Clarke (1980-81, later of Yazoo and Erasure) and keyboardist/arranger/drummer Alan Wilder (1982-1995).


"I think in a way we've been at the forefront of new music; sort of chipping away at the standard rock format stations." (Martin Gore, stated to NME – July 1990.)


Depeche Mode
Greatest Hits
2015
Released Date: April 18, 2015
Format: CD, Album, DDD
Genre: Synthpop, New Wave, Electronic, Rock, Dance-Rock, Alternative Rock
Label: Mute, Columbia
© Mute Records (UK), © Columbia Records (UK)

~~~~~~~~~~
Track Listing:
~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~
1 Depeche Mode ~ “Personal Jesus”  |3:47
With album "Violator" (1989)
  Released: 29 August 1989
  Recorded: May 1989 Puk Studios, Denmark. Logic Studios, Milan
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode, Flood

2 Depeche Mode ~ “Behind The Wheel”  |4:04
With album "Music for the Masses" (1987)
  Released: 28 December 1987
  Recorded: February–July 1987 Studio Guillaume Tell, Paris. Konk, London. Puk Studios, Denmark
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode and David Bascombe

3 Depeche Mode ~ “Just Can't Get Enough”  |3:43
With album "Speak & Spell" (1981)
  Released: 7 September 1981
  Recorded: July 1981 Blackwing Studios, London
  Written by Vince Clarke
  Label: Mute Records
  Produced by Depeche Mode, Daniel Miller

4 Depeche Mode ~ “Everything Counts”  |4:01
With album "Construction Time Again" (1984)
  Released: 11 July 1983
  Recorded: May 1983, The Garden, London
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode, Daniel Miller and Gareth Jones

5 Depeche Mode ~ “Enjoy The Silence”  |4:14
With album "Violator" (1989)
  Released: 5 February 1990
  Recorded: Late 1989 Puk Studios, Denmark. Logic Studios, Milan
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode, Flood

6 Depeche Mode ~ “Shake The Disease”  |4:51
With album "Black Celebration" (1986)
  Released: 29 April 1985
  Recorded: March 1985 Hansa Mischraum, Berlin
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode, Daniel Miller and Gareth Jones

7 Depeche Mode ~ “See You”  |3:57
With album "A Broken Frame" (1982)
  Released: 29 January 1982
  Recorded: November 1981 Blackwing Studios, London
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode and Daniel Miller

8 Depeche Mode ~ “It's No Good”  |5:58
With album "Ultra" (1997)
  Released: 31 March 1997
  Recorded: January 1996–February 1997 Abbey Road, Eastcote, Westside, Strongroom, RAK, London. Electric Lady, New York. Larrabee West, Los Angeles
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Tim Simenon

9 Depeche Mode ~ “Strangelove”  |3:46
With album "Music for the Masses" (1987)
  Released: 13 April 1987
  Recorded: February–July 1987: Studio Guillaume Tell (Paris, France), Konk (London, England, UK), Puk (Randers, Denmark).
  Written by Martin Lee Gore
  Label: Mute Records
  Produced by Depeche Mode, David Bascombe

10 Depeche Mode ~ “Policy Of Truth”  |5:16
With album "Violator" (1989)
   Released: 7 May 1990
   Recorded: May 1989–January 1990 Puk Studios, Denmark. Logic Studios, Milan
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode, Flood

11 Depeche Mode ~ “Suffer Well”  |3:52
With album "Playing the Angel" (2005)
   Released: 20 March 2006
   Recorded: January–July 2005, Sound Design (Santa Barbara, California)
   Written by Dave Gahan, Christian Eigner, Andrew Phillpott
   Label: Mute Records
   Produced by Ben Hillier

12 Depeche Mode ~ “Dream On”  |3:41
With album "Exciter" (2001)
   Released: 23 April 2001
   Recorded: June 2000 – February 2001; RAK Studios, Sarm West Studios (London). Sound Design (Santa Barbara). Electric Lady Studios, Sony. Music Studios (New York City)
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Mark Bell

13 Depeche Mode ~ “People Are People”  |3:46
With album "Some Great Reward" (1984)
   Released: 12 March 1984
   Recorded: January 1984 Hansa Mischraum, West Berlin
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode, Daniel Miller, Gareth Jones

14 Depeche Mode ~ “Martyr”  |3:25
With album "The Best Of, Volume 1" (2006)
   Released: 30 October 2006
   Recorded: 2005
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Ben Hillier

15 Depeche Mode ~ “Walking In My Shoes”  |5:00
With album "Songs of Faith and Devotion" (1993)
   Released: 26 April 1993
   Recorded: February 1992 – January 1993 Madrid, Hamburg, London
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode and Flood

16 Depeche Mode ~ “In Your Room”  |4:52
With album "Songs of Faith and Devotion" (1993)
   Released: 10 January 1994
   Recorded: January 1993; Madrid, Hamburg, London
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode and Flood

17 Depeche Mode ~ “I Feel You”  |4:35
With album "Songs of Faith and Devotion" (1993)
   Released: 15 February 1993
   Recorded: 1992 Madrid, Hamburg, London
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode and Flood

18 Depeche Mode ~ “Precious”  |4:09
With album "Playing the Angel" (2005)
   Released: 3 October 2005
   Recorded: January–July 2005, Sound Design (Santa Barbara, California)
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Ben Hillier

19 Depeche Mode ~ “Master And Servant”  |3:49
With album "Some Great Reward" (1984)
   Released: 20 August 1984
   Recorded: May 1984 Music Works in Highbury, Hansa Mischraum in Berlin
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode, Daniel Miller, Gareth Jones

20 Depeche Mode ~ “New Life”  |3:46
With album "Speak & Spell" (1981)
   Released: 13 June 1981
   Recorded: May 1981 Blackwing Studios, London
   Written by Vince Clarke
   Label: Mute Records
   Produced by Depeche Mode and Daniel Miller

21 Depeche Mode ~ “Never Let Me Down Again”  |4:18
With album "Music for the Masses" (1987)
   Released: 24 August 1987
   Recorded: February–July 1987 Studio Guillaume Tell, Paris. Konk, London. Puk Studios, Denmark
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Depeche Mode, Daniel Miller, David Bascombe

22 Depeche Mode ~ “Wrong”  |3:13
With album "Sounds of the Universe" (2009)
   Released: 6 April 2009
   Recorded: May–December 2008; Sound Design (Santa Barbara, California). Chung King Studios (New York City, New York)
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Ben Hillier

23 Depeche Mode ~ “Peace”  |4:29
With album "Sounds of the Universe" (2009)
   Released: 15 June 2009
   Recorded: May–December 2008; Sound Design (Santa Barbara, California). Chung King Studios (New York City, New York)
   Written by Martin Lee Gore
   Label: Mute Records
   Produced by Ben Hillier

24 Depeche Mode ~ “Personal Jesus” (The Stargate Mix)  |3:57
With album "Remixes 2: 81–11" (2011)
   Released: 18 April 2011
   Recorded: 2010 – 2011
   Written by Martin Lee Gore, Tor Erik Hermansen and Mikkel Storleer Eriksen (Stargate Mixed)
   Label: Mute Records
   Produced by Depeche Mode, Roland Brown, Stargate

25 Depeche Mode ~ “Heaven”  |4:05
With album "Delta Machine" (2013)
   Released: 31 January 2013
   Recorded: 2012; Sound Design (Santa Barbara, California); Jungle City Studio (New York City, New York)
   Written by Martin Lee Gore
   Label: Columbia Records, Mute Records
   Produced by Ben Hillier

26 Depeche Mode ~ “Soothe My Soul”  |5:22
With album "Delta Machine" (2013)
   Released: 6 May 2013
   Recorded: March–October 2012; Sound Design (Santa Barbara, California). Jungle City Studio (New York City, New York)
   Written by Martin Lee Gore
   Label: Columbia Records, Mute Records
   Produced by Ben Hillier

Total Time 1:50:07
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
| DDD | Audio CD | CBR 320 Kbps/48.1 kHz/Stereo |
| File Size: 315 mb. | Password: essex |
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Songs:

"Personal Jesus" is a song by electronic English band Depeche Mode, released on 29 August 1989 as the first single from their seventh studio album, Violator (1990). The single reached No. 13 on the UK Singles Chart and No. 28 on the Billboard Hot 100. The song was the first single to make the US Top 40 for the band since their 1984 single "People Are People" and was their first gold-certified single in the US (quickly followed by the band's subsequent single, "Enjoy the Silence"). The song was inspired by the book Elvis and Me by Priscilla Presley. According to songwriter Martin Gore: "It's a song about being a Jesus for somebody else, someone to give you hope and care. It's about how Elvis Presley was her man and her mentor and how often that happens in love relationships; how everybody's heart is like a god in some way, and that's not a very balanced view of someone, is it?" The Anton Corbijn-directed music video for "Personal Jesus" is his first Depeche Mode video in colour, and features the band in a ranch (suggested to appear as a brothel), placed in the Tabernas Desert of Almería, in Spain. MTV edited out some suggestive mouth movements of Martin Gore during the bridge and replaced it with some other footage from the video.

"Behind the Wheel" is Depeche Mode's twentieth UK single, released on 28 December 1987, and the third single for the album Music for the Masses. Peaking at #21 in the UK charts, it hit #6 in West Germany. "Behind the Wheel" was written by Martin Lee Gore. In 1989, the single was ranked #30 on Spin magazine's list of the "The 100 Greatest Singles Of All Time"

"Just Can't Get Enough" is a song by English musical group Depeche Mode. It was released in September 1981 as the third single from their debut album, Speak and Spell (1981). "Just Can't Get Enough" was the first Depeche Mode song to get a music video. It is the only Depeche Mode video with Vince Clarke. The director was Clive Richardson.

"Everything Counts" is Depeche Mode's eighth UK single (released on 11 July 1983) and third US single (released on 2 November 1983), from the then-upcoming album Construction Time Again. The single was re-released (in live format) on 13 February 1989 (25 March 1989 in the US) to support the live album 101.

"Enjoy the Silence" is Depeche Mode's twenty-fourth UK single, recorded in 1989 and released on 5 February 1990, it was the second single from the then upcoming album Violator. The single is Gold certificated in the US and Germany. The song won Best British Single at the 1991 BRIT Awards. The Anton Corbijn-directed music video for "Enjoy the Silence" references the themes and storyline of the philosophical children's book The Little Prince. Footage of Gahan dressed as a stereotypical king wandering the hillsides of the Scottish Highlands, the coast of Portugal and finally the Swiss Alps with a deck chair is intercut with black-and-white footage of the band posing. Brief flashes of a single rose (which is also on the album cover of Violator) appear throughout the scenes.

"Shake the Disease" is Depeche Mode's thirteenth UK single recorded at Hansa Mischraum in Berlin (released on 29 April 1985), and was one of two new songs released on the compilation The Singles (81-85) the same year, along with "It's Called a Heart". It reached number 18 in the UK singles chart. The American version of The Singles 81-85, Catching Up with Depeche Mode, also includes "Shake the Disease"'s B-side, "Flexible". Band member Alan Wilder felt this song captured the essence of the band, stating "there's a certain edge to what we do that can make people think twice about things. If we've got a choice between calling a song "Understand Me" or "Shake the Disease", we'll call it "Shake the Disease". There's a lot of perversity and innuendo in our lyrics, but nothing direct." The music video is the first Depeche Mode video directed by Peter Care and features an innovative camera trick to make it appear as though the band members are falling.

"See You" is the fourth UK single by Depeche Mode recorded at Blackwing Studios, and the first written by Martin Gore. The single was released on 29 January 1982 and was later included on the band's second album A Broken Frame. The single launched a small world tour, with extra band member Alan Wilder, although he did not contribute to the song or the album.

"It's No Good" is Depeche Mode's 32nd UK single, released on 31 March 1997 (15 April in the US), and the second single for the then upcoming album Ultra. It reached no. 5 in the UK Singles Chart. "It's No Good" is a moodily rhythmic, perhaps even "sexy" song with a distinct lyrical hook in the chorus: "Don't say you want me. Don't say you need me. Don't say you love me. It's understood". The music video for "It's No Good" was directed by Anton Corbijn, depicting the band as a low-rent lounge act at a number of sleazy gigs. An alternate video was recorded for "It's No Good" in 2001 as a screen projection for the Exciter Tour.

"Strangelove" is Depeche Mode's 18th UK single, released on 13 April 1987, and the 1st single for the then upcoming album Music for the Masses. It reached number 16 in the UK charts, but hit number 2 in West Germany and in South Africa, and was a Top 10 success in several other countries (Sweden, Switzerland, etc.). In the US, "Strangelove" initially went to number 76 on the Billboard Hot 100 and was the first of 9 number-ones on the US Dance charts, where it stayed for 3 weeks at the top.

"Policy of Truth" is a song by the English rock band Depeche Mode, released in May 1990 as the third single release from their seventh studio album, Violator (1990). Although the song was less successful than the first two singles before, it is the only Depeche Mode single to chart higher on the Billboard Hot 100 (#15) than on the UK Singles Chart (#16), as well as peaking at number two on the American dance charts. It also became the band's second chart-topper on the Modern Rock Tracks chart. The music video for "Policy of Truth" is directed by Anton Corbijn and appears on the VHS collection Strange Too.

"Suffer Well" is the third single from the album Playing the Angel by Depeche Mode, and their forty-third single overall. It was released in the UK on 27 March 2006. It is the first Depeche Mode single whose lyrics are written by Dave Gahan. It is also the first Depeche Mode single that's not written by Martin Gore since "Just Can't Get Enough" in 1981 which was written by Vince Clarke and the first Depeche Mode single ever to be co-written with non-Depeche Mode members (Andrew Phillpott and Christian Eigner wrote the music). The video was filmed by Anton Corbijn in mid-December 2005 in California.

"Dream On" is a song by British musical group Depeche Mode. It was released in April 2001 as the first single from the album Exciter. The music video for "Dream On" was directed by Stéphane Sednaoui.

"People Are People" was written by Martin Gore, but the dancy, pop feel of the song may be credited to Alan Wilder. Wilder wrote the B-side, "In Your Memory". Each song has an extended remix, the "Different Mix" and the "Slik Mix" respectively (although the "In Your Memory" mix is often incorrectly called the "Slick Mix"). It was one of the first songs recorded for the album when sessions began at the Hansa Mischraum studio in January 1984.

"Martyr" is the 45th UK single by Depeche Mode. It was released as a non-album single intended to promote the new compilation, The Best Of, Volume 1, that was released on 13 November 2006. The single was released on 30 October 2006 in three formats: CD single, CD maxi and DVD single. There was also a limited edition double-12" single (L12BONG39) featuring four remixes of previous Depeche Mode tracks.

"Walking in My Shoes" is Depeche Mode's twenty-eighth UK single, released on 26 April 1993, and the second single for the album Songs of Faith and Devotion. The song reached #14 on the UK singles chart and matched the success of previous single "I Feel You" on the Modern Rock Tracks chart, where it hit #1. The music video for "Walking in My Shoes" was directed by Anton Corbijn and is based on Dante's Divine Comedy. 

"In Your Room" is Depeche Mode's fourth and final single from their 1993 album Songs of Faith and Devotion, and the 30th UK single overall, released on 10 January 1994 (UK) /18 January (USA). It reached number 8 on the UK Singles Chart. The music video for "In Your Room" (using the Zephyr mix) was directed by Anton Corbijn and features references to the videos for "Strangelove" (a model posing in her underwear), "I Feel You" (a woman dressed as Dave Gahan, wearing a pinstripe suit, sunglasses, and a wig), "Walking in My Shoes" (the bird costume), "Halo" (the people wearing clown makeup), "Enjoy the Silence" (Dave Gahan dressed as a king, holding the folding chair while walking in the road), "Personal Jesus" (the bandmembers wearing cowboy hats), "Condemnation" (the white dress with ribbons on it that one of the women wears) and "Never Let Me Down Again" (tea drinking). Corbijn described the video as a retrospective of the work he had done with Depeche Mode. He said he made it that way because he was sure frontman Dave Gahan was going to die before Depeche Mode could release more songs.

"I Feel You" is a song by Depeche Mode, released on 15 February 1993 as their 27th UK single and the first single from the album Songs of Faith and Devotion. The song peaked at number eight on the UK Singles Chart and also made number one and number three on the US Modern Rock Tracks and Hot Dance Club Play charts, respectively. It was the band's highest-charting single worldwide. The song is ostensibly about "connection" between two individuals. "I Feel You" demonstrates a more rock-oriented sound, using more non-electronic instruments than ever before. For example, Alan Wilder plays drums, and Martin Gore plays the guitar, but with electronic sounds still included, like the synth screeching intro. The music video for "I Feel You" was directed by Anton Corbijn. The woman in the video was English actress Lysette Anthony.

"Precious" is Depeche Mode's forty-first single, and the first single from the album Playing the Angel. It was released on 3 October 2005 in the UK by Mute Records and 11 October 2005 in the US by Sire/Reprise. The single reached No. 4 in the UK, No. 71 on the Hot 100, and No. 23 on the US Modern Rock Tracks chart. It was the band's first single of original music in more than three years. "Precious" was released to international radio stations and as a digital download on 22 August 2005. Since its live debut, "Precious" has been played at every Depeche Mode concert between 2005 and 2014.

"Master and Servant" is Depeche Mode's eleventh UK single (released on 20 August 1984) and the second single from the Some Great Reward album. Despite controversy surrounding the song, it still managed to reach number 9 in the UK Singles Chart. It also peaked at number 49 in the American dance chart and at number 87 on the Billboard Hot 100. The "Master and Servant" music video was directed by Clive Richardson.

"New Life" is the second UK single by Depeche Mode recorded at Blackwing Studios, originally released on 13 June 1981. It was not commercially released in the United States.

"People Are People" is Depeche Mode's 10th UK single recorded at Hansa Mischraum in West Berlin, and released on 12 March 1984. It was their first hit single in the US and the first single from the Some Great Reward album.

"Never Let Me Down Again" is Depeche Mode's nineteenth UK single, released on 24 August 1987, and the second single for the then upcoming album Music for the Masses. A relatively moderate hit in the UK at number 22, it was a smash in West Germany, where it hit number 2, and a Top 10 success in several other European countries (Sweden, Switzerland, etc.). The cover art features fragments of a Soviet map of Russia and Europe, with different fragments used for the different editions of the single. The song became a favourite among fans, especially live. Shows during Depeche Mode's 1988 tour were often concluded with this song. Notable in the 101 video is when Dave Gahan waves his arms in the air toward the end of the song, and the sold out crowd of 60,000 mimics Gahan's movements. It is now customary at Depeche Mode shows for fans to wave their arms in the air during the coda section of "Never Let Me Down Again." On 8 November 2001, shortly after their final Exciter Tour concert in Mannheim, Germany, the band played "Never Let Me Down Again" during the MTV Europe Music Awards in Frankfurt, which aired in the US on MTV2. There are two music videos for "Never Let Me Down Again". The original version, from Strange uses the "Split Mix", minus the intro and outro, and during the EBM portion, Gahan's pair of dancing shoes are shown walking without anyone wearing them, before someone puts them on and wears them to dance. There is also a shortened one with just the Single version of the song, without the dancing shoes. It appears on The Videos 86>98 and the DVD of The Best of Depeche Mode Volume 1. They are directed by Anton Corbijn.

"Wrong" is Depeche Mode's first single from their twelfth studio album, the Grammy-nominated Sounds of the Universe, and their 46th UK single overall. It hit the radio in February 2009, and became available for purchase online on 24 February 2009. The single was physically released on 6 April 2009. The 12" of the single was released on 11 May 2009. The single officially debuted on 21 February 2009, when the band performed at the Echo Awards in Germany. The music video for "Wrong" was filmed in December 2008 and directed by Patrick Daughters.

"Peace" is Depeche Mode's second single from their studio album, Sounds of the Universe, and their 47th UK single overall. It was released on 15 June 2009. Martin Gore told The Sun newspaper that he thought "Peace" is one of his favourite songs that he has ever written. He explained that both "Peace" and "Little Soul", "give the album a kind of thread. Both of those songs have a real spiritual feel, though we have to be really careful using that word."

"Heaven" is a song by English electronic music band Depeche Mode, released as the lead single from their thirteenth studio album, Delta Machine (2013). Written by Martin L. Gore and produced by Ben Hillier, the song was world-premiered on KROQ's morning show Kevin and Bean on 30 January 2013. The single was released digitally in most territories on 31 January 2013, and physically on 1 February. In the United Kingdom, "Heaven" was released digitally on 17 March 2013 and physically the following day. The B-side "All That's Mine" was written by Dave Gahan and Kurt Uenala. An accompanying music video for "Heaven" was directed by Timothy Saccenti and premiered on VEVO on 1 February 2013. The music video for "Heaven" was directed by Timothy Saccenti and filmed in November 2012 at The Marigny Opera House, a former Catholic church in New Orleans's Faubourg Marigny.

"Soothe My Soul" is a song by English electronic music band Depeche Mode from their thirteenth studio album, Delta Machine. It was released as the album's second single on 10 May 2013 in Germany. The release date for North America was 14 May 2013, and 13 May 2013 for the rest of the world. In the United Kingdom, the single was released physically on 10 June 2013. The music video directed by Warren Fu was premiered on 28 March 2013. The song hit the Top 10 in 3 countries, including a number 1 spot in Hungary.



Albums:


Speak & Spell” is the debut album by the British synthpop group Depeche Mode, recorded and released in 1981. The album peaked at #10 in the UK Albums Chart.


A Broken Frame” is the second studio album by the British synthpop group Depeche Mode, released in 1982. The album was written entirely by Martin Gore and recorded after the departure of Vince Clarke, who had left the band to form Yazoo with singer Alison Moyet. Alan Wilder was part of a second tour in the United Kingdom occurring prior to the release of this album, but he had not officially joined the band, and thus, does not appear on the album.


Construction Time Again” is the third studio album by English electronic music band Depeche Mode, released on 22 August 1983 by Mute Records. This was the first Depeche Mode album with Alan Wilder, who wrote the songs "Two Minute Warning" and "The Landscape Is Changing", as well as the B-side "Fools". The title comes from the second line of the first verse of the track "Pipeline". It was supported by the Construction Time Again Tour. The album was recorded at John Foxx's Garden Studios in London, engineered by Gareth Jones (who had also engineered Foxx's 1980 album Metamatic) and mixed at the Hansa Tonstudio in Berlin.


Love, In Itself” is Depeche Mode's ninth U.K. single (released on 19 September 1983), and the final single from the album Construction Time Again.


Some Great Reward” is the fourth studio album by English electronic music band Depeche Mode, released in 1984. The album peaked at number five in the United Kingdom and at number fifty-one in the United States. The title comes from the last lines of the bridge in "Lie to Me" when it repeats near the end. The album was supported by the Some Great Reward Tour.


Black Celebration” is the fifth studio album by English electronic music band Depeche Mode, released on 17 March 1986 by Mute Records. The album further cemented the darkening sound that was initially hinted towards on their albums Construction Time Again and Some Great Reward. Black Celebration has been cited as one of the most influential albums of the 1980s. To promote the album, the band embarked on the Black Celebration Tour. Black Celebration is the Depeche Mode album that has the most songs with Martin Gore on lead vocals: "A Question of Lust", "Sometimes", "It Doesn't Matter Two", and "World Full of Nothing". He also sings on the CD bonus track "Black Day". The remaining tracks are sung by Dave Gahan.


Music for the Masses” is the sixth studio album by the English electronic music band Depeche Mode. It was released on 28 September 1987 by Mute Records, and was supported by the Music for the Masses Tour.


Violator” is the seventh studio album by English electronic music band Depeche Mode, released on 19 March 1990 by Mute Records. Preceded by the hit singles "Personal Jesus" and "Enjoy the Silence" (a top ten hit in both the UK and US), Violator propelled the band into international stardom. The album yielded two further hit singles, "Policy of Truth" and "World in My Eyes". Violator is the band's first album to reach the top ten on the Billboard 200, peaking at number seven. It was supported by the World Violation Tour.


Songs of Faith and Devotion” is the eighth studio album by English electronic music band Depeche Mode, released in the United Kingdom on 22 March 1993 by Mute Records and in the United States and Canada on 23 March by Sire and Reprise Records. The album incorporated a more aggressive, darker rock-oriented tone than its predecessor, Violator (1990), largely influenced by the emerging alternative rock and grunge scenes in the United States. Songs of Faith and Devotion was recorded over eight months in a rented villa in Madrid during 1992, as well as later sessions in Hamburg and London.


Ultra” is the ninth studio album by English electronic music band Depeche Mode, released on 14 April 1997 by Mute Records. The album was the band's first since the departure of Alan Wilder, who had left the band in 1995 having become disillusioned with life in Depeche Mode. Wilder's departure and lead singer Dave Gahan's drug problems, which culminated in a near-fatal overdose, had caused many people to speculate that the band was finished. This is their first album as a trio since 1982's A Broken Frame.


Exciter” is the tenth studio album by English electronic music band Depeche Mode, released in the United Kingdom on 14 May 2001 by Mute Records and in the United States on 15 May by Reprise Records. The album was produced by Mark Bell of Björk and LFO fame. The album also launched the Exciter Tour, one of the band's most successful tours. The plant that appears on the cover of the album is part of the genus Agave, used to produce tequila.


Playing the Angel” is the eleventh studio album by English electronic music band Depeche Mode, released in the United Kingdom on 17 October 2005 by Mute Records and in the United States and Canada on 18 October by Sire Records and Reprise Records. It was supported by the Touring the Angel tour. Playing the Angel is Depeche Mode's first album to feature Dave Gahan as co-writer. He wrote the lyrics to "Suffer Well", "I Want It All" and "Nothing's Impossible", while Christian Eigner and Andrew Phillpott wrote the music. Gahan is the lead singer on all songs except for the instrumental "Introspectre", and Martin Gore-sung tracks "Macro" and "Damaged People". Gahan also sings backing vocals on "Macro", which was the first time he had sung backing on one of Gore's songs since Violator‍ '​s "Sweetest Perfection". The title Playing the Angel is taken from a lyric in the closing song "The Darkest Star". It is the fourth Depeche Mode album to get its name from a lyric in its album, the other three being Construction Time Again, Some Great Reward and Black Celebration. The album has been called a more organic record for using more analog synths than digital ones. In addition, most of the soundscapes presented are harsher and groovier than the more mellow Exciter.


Sounds of the Universe” is the twelfth studio album by English electronic music band Depeche Mode, released on 17 April 2009 by Mute Records. It was supported by the 2009–10 concert tour Tour of the Universe. Three singles were released from the album; "Wrong", "Peace", and a double A-side of "Fragile Tension" and "Hole to Feed". "Perfect" was also released in the US as a promotional single. As with the previous album, Playing the Angel, Dave Gahan has once again written three songs with Christian Eigner and Andrew Phillpott: "Hole to Feed", "Come Back" and "Miles Away/The Truth Is". "Spacewalker" and the bonus track "Esque" are instrumentals. Martin Gore shares lead singing duties with Gahan on "In Chains", "Peace" and "Little Soul", he sings the lead of "Jezebel" and the B-side "The Sun and the Moon and the Stars" on the second disc of the deluxe box set. The B-side "Oh Well" is the first track ever to be co-written by Gore and Gahan. The album ends with a short hidden instrumental reprise from the song "Wrong" after the final track "Corrupt" concludes. The album was released by Capitol Records in the United States and by EMI in Canada, marking the first time in the band's catalog that saw distribution from EMI within North America, where previous albums were released by Sire Records and Reprise Records, a division of Warner Music Group.


Delta Machine” is the thirteenth studio album by English electronic music band Depeche Mode, released on 22 March 2013 by Columbia Records and Mute Records. Recorded in 2012 in Santa Barbara, California and New York City, the album was produced by Ben Hillier and mixed by Flood. A deluxe edition was also released, containing a bonus disc with four bonus tracks, as well as a 28-page hardcover book including photos by Anton Corbijn. Delta Machine marks the end of the trilogy of records that Depeche Mode were doing with producer Ben Hillier, as stated by Dave Gahan. The album is Martin L. Gore and Gahan's thematic continuation to a dark, gloomy and bluesy aesthetic that Depeche Mode had started to explore in the late 1980s. The Quietus writer Luke Turner considered it as their "most powerful, gothic, twisted, electronic album since Violator". The album's second track "Angel" was compared to Nick Cave with a touch of electro-blues. James Manning of Time Out observed that Gahan howled like Nick Cave on that track.



The Best of Depeche Mode Volume 1” is a greatest hits album by English electronic music band Depeche Mode, released on 8 November 2006 by Mute Records. The album consists of select Depeche Mode singles from their then-twenty-five-year career, as well as the previously unreleased track "Martyr"—recorded during the Playing the Angel sessions—which was released as a single in late October 2006. The album has sold over one million copies in Europe alone and has been awarded the IFPI Platinum Europe Award.


Remixes 2: 81–11” is a remix compilation album by English electronic music band Depeche Mode, released on 3 June 2011 by Mute Records. The album is the band's second remix collection, following Remixes 81–04 (2004). It spans the band's entire career and includes new arrangements by former Depeche Mode members Vince Clarke and Alan Wilder. The compilation concludes the band's recording contract with EMI. All songs written and composed by Martin L. Gore, except where noted.




Depeche Mode History:


Composition of Sound was formed in 1978 in Basildon, Essex, by guitarists/vocalists Andy Fletcher , Martin Gore and keyboardists Vince Clarke. In 1980 Dave Gahan joins the band cause Vince Clarke didn't felt well as in the role of vocalist .Dave was recruited by singing the song "Heroes" from David Bowie. After he joined the band  Dave renamed the group Depeche Mode , a name taken from a french fashion magazine. The band first believed that this name meaned "Fast Fashion" because they wrote it in the early days like Dépêché Mode , but in fact the name itself Depeche Mode , as taken from the french magazine means NEWS ABOUT FASHION


They went to different clubs and different companies to try to promote their songs.


David Gahan is born on May 9th, 1962, in Epping; He's the singer of Depeche Mode. He becomes part of the group ( once called Composition of Sound) in 1979. After a while he changed the name of the group to DEPECHE MODE. He always had a big influence in the group's evolution, and has taken a more active participation in it through the years.




Martin Lee Gore is born on July 23th, 1961 in Danegham, near London, he's the writer/composer of Depeche Mode, when he was young he was part of some bands as a guitarist , when younger, and finally turned to synthetiser within Composition of Sound, that he formed with Vince Clarke and Andrew Feltcher. He's one of the best writer in the world of music.




Andrew John Fletcher ( known as "Fletch") , is born on July 8th 1961 in Nothingham, he was part of Composition of Sound, from the beggining, with Martin who was a school mate. Fletch has never been a leading musician in the group, but more a manager, and he's good at it.




Alan Charles Wilder is born on June 1st 1959 in London, he was part of Depeche Mode from 1983 to 1995. He was the real musician of the band, the one who spent a lot of time in studio until he found the perfect sound for the song they were working in, he had a big influence in the changes Depeche Mode had through the years in their music.He's now working on his own, with Recoil (last album: Liquid) and is actually working over a new album of Recoil.




Vincent Clarke, original member of the group, as Composition of Sound and after Depeche Mode, he was the writer/Compositor of the Band in "Speak and Spell" ( except 2 songs written by Martin) he was the leader of the band at that period, but suddenly left the band at the end of 1981, cause he didn't accepted the succes the group was having. He went on working with Alison Moyet on Yazoo and after he went on to form a group called the Assembly , and finally Erasure in mid-80's in which he has found his place and he's still part of it.




Depeche Mode Videography


“Personal Jesus”

“Behind The Wheel”

“Just Can't Get Enough”

“Everything Counts”

“Enjoy The Silence”

“Shake The Disease”

“See You”

“It's No Good”

“Strangelove”

“Policy Of Truth”

“Suffer Well”

“Dream On”

“People Are People”

“Martyr”

“Walking In My Shoes”

“In Your Room”

“I Feel You”

“Precious”

“Master And Servant”

“New Life”

“Never Let Me Down Again”

“Wrong”

“Peace”

“Personal Jesus” (The Stargate Mix)

“Heaven”

“Soothe My Soul”




Q&A: Martin Gore of Depeche Mode (June 7, 2011)


Marc Spitz: As Depeche Mode’s primary songwriter, you spend a lot of time in the studio trying to perfect each piece of music. Isn’t the idea of a remix antithetical to that, since it upsets everything you’ve worked so hard on?


Martin Gore: It’s been so much a part of our fabric from day one, I don’t even think about it anymore. It’s second nature. The only single we ever put out that didn’t have any kind of remix was our first (1981’s “Dreaming of Me”). If I don’t like what’s being done or feel there isn’t enough of the song in there, we have total control; we can veto anything we don’t like. But a lot of times, we’re pleasantly surprised.





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